Tuesday, December 29, 2009
There are no prizes for guessing this photo was taken in Hershey, Pennsylvania where the streetlamps are made in the shape of Hershey's chocolate kisses. So even my theme (illumination) comes into play! Most things are usually better with chocolate...
Monday, December 28, 2009
Wednesday, December 16, 2009
Sunday, December 13, 2009
Saturday, December 12, 2009
This seems to have been The Little Quilt That Didn't Want to Happen!!
You may notice that the photo has a (badly) photoshopped edge simulating a facing? Yes, well, late last night I heard my father's voice saying "Measure twice, cut once". "Yeah, yeah," I replied, "I do know how to use a rotary cutter and ruler, you know". And cut off the seam allowance. My due-to-be-faced quilt will now sport a jaunty binding when I regain my composure. In the meantime it is having to settle for a clean-up in photoshop.
I decided at the beginning of this round that I would learn from my lessons of last round.
Point 1 : no last minute rush jobs. Time to stop kidding myself that I work best under pressure. No, I don't. I just settle for less.
Point 2: no trying to be clever, fraught with meaning and significance. Just have fun.
How did I go with the Pink quilt? Point 1. FAIL FAIL FAIL. Point 2. MASSIVE SUCCESS!!!
It means NOTHING! There is NO significance!! I'm so proud.
Seriously, I did make a personal commitment that this time I would continue with my original Twelve by Twelve plan to just have fun. I intend to relish this experience a whole lot more than I perhaps did last time and to use it as a bit of relaxation time. Life has managed to become even busier this year and a regular reason to quieten things down is a very good thing.
I should probably talk about the quilt? I have a strong love of contrast in all forms but especially in colour and I immediately knew that my quilt would feature the use of pink and her complement, green. As you can see, I'm not ready to leave circles behind, either. I started with circles of pink that I appliqued to the green background fabrics, then I cut them up and sewed them together in a piecemeal fashion. The hand embroidery was especially enjoyable (partly because it made me sit on the sofa for a while!!) and I thought of Jude Hill and her wonderful spontaneous stitching as I wandered my needle hither and yon.
The placement of the circles was a bug bear from very early on in the piece because my chosen construction technique limited their positioning and I still don't like where they ended up. I tried to redress things a bit with the darker pieces of teal, but they definitely don't work for me. If I had my act together and this was a Study instead of my final piece (which it truthfully should be) I would reposition those circles. But, in the Spirit of Fun and Relaxation and Letting Go, I smattered some buttons and knots and said to myself, "Live with it, kid. Do better next time."
This quilt has genuinely taught me a lot. I feel a series coming on... or at the very least, more small abstract quilts. I'm happy to keep making quilts that, even if they don't quite work, teach me something and make my heart beat faster.
So, I thought and pondered and drew spider charts and wrote lists and still had too many ideas/projects and too little time. And I still, if the truth be known, was a little under-stimulated with the simple idea of one colour as a theme compared to the concept themes we had been working on. So I decided to combine three goals of mine into one:
1. To participate in Twelve by Twelve
2. To focus more on translating inspirations from other cultures, particularly African into my own work and
3. To continue to develop the social issue commentary that surprised me by coming out naturally in my earlier Twelve by Twelve work.
So, for pink, I started to look for inspiration by googling 'pink Africa'. I very soon found this fabulous bamileke headdress. ( Thanks to Africa Direct for permission to re-post the photo from their shop). I was instantly inspired which is just as well as I had only a few days to create this before we left the country.
I combined this African inspiration source with the initial musings I had with the association of pink with gay issues and of gay issues with the AIDS epidemic, particularly in the 1980's. Of course, AIDS is no longer a gay only issue ( if indeed it ever was).
At the end of 2008 22.4 million adults were living with AIDS in sub-Saharan Africa. Around 14.1 million children are AIDS orphans. Anti-retro viral drugs are not always readily available. there are issues of pricing, of distribution, of concepts of time and lack of wrist watches ( the drugs need to be taken at regular intervals), of the regular nutritious meals that need to accompany the medication and of a shortage of health care workers caused by the disease itself and the temptations of emigration.
This quilt is made with pink striped fabric sources from The African Fabric shop and originating from West Africa. I have used the pink triangle symbol often associated with the gay rights movement but inverted to its original orientation when used as a marker for homosexuals in Nazi Concentration camps. Its original symbol of potential death is further alluded to by the addition of a black triangle. I hope that the whole looks like a version of an African shield, which is what the drugs would provide against the devastating physical and societal effects of this disease.
The embellishments are not beads but pink pills as a comment on the fact that medication in Europe is so cheap it can be used as a play thing - but in Africa only 42% of people who need anti-retro virals get them. They are slippy little beggars and so they are glued on and then a cradle of stitches added. The green silk background, which is seed stitch quilted, symbolises the new lease of life drugs can give. Although the photo may not reveal it well, the black triangle is textured to mimic the inspiration piece by machining diagonal strips of black knitting tape onto black fabric.
If this topic interests you you may want to look at the quilts and website of Mary Fisher who is a UN AIDS ambassador. She has quilts also with messages on this topic but done so much better than I achieved in a hurried few days - I do not think this is my best Twelve quilt.
Flowers! One of my most favorite things. I love including flowers in my art. Since pink is a common flower color, I decided to create a flower quilt. I’ve seen other quilts made in a similar fashion where the blocks are created, cut up and then the block parts are swapped around to create new blocks. I wanted to do that with my pink flowers.
When we first decided to create a round of quilts with colors for the theme, I entertained thoughts of creating abstract quilts. I seem to struggle with abstract designs more than figurative quilts. But for some reason I couldn’t bring myself to create a pink abstract quilt. I have no idea why.
I’m not afraid of pink or find it a color that I don’t like, so I don’t have any problems with using this color in my work. The first image I envisioned for a pink quilt was a big eyeball all in pink, to represent pink eye. The day that Diane announced the color for our first round, was the day after my husband came home from work and said a worker on the job has pink eye. Eeeek! I like flowers much more!
I hope you've all enjoyed this Pink challenge as much as I have. I'm excited that we're launching a whole new set of "Colorplay" challenges -- I wonder if it was easier or harder that the theme this time was stated in one simple word? I know the color pink proved difficult (and even unpleasant) for a few of you, and I appreciate your moving forward and working with the theme anyway. That's why they call these "challenges," right?! (Hmm, just gets me thinking -- I wonder if there's a way to "illustrate" a color without using that color?)
Anyway. My personal challenge to myself is to try to stay away from literal or representational
responses in these challenges -- that's the first place my mind goes and it's hard for me to go anywhere abstract. I'm thinking that these color challenges will be a good exercise for me and I plan to force myself to do abstract responses. We'll see how that goes.
With that in mind, I set out to create something that illustrated the feelings I think pink evokes for me. I thought about softness -- no straight lines, no angles, just curves and flow. I wanted to try to convey a sense of happy whimsy, something that made me smile without thinking about why. I sketched lots of lines, and ended up with this. I never specifically thought about "ribbons" and once I got this together, it reminded me of strands of girls' hair. So there is a sense of femininity about this, which seems fitting.
My original plan was to applique the two curls (in commercial fabrics) and have the others just indicated by stitching lines. I actually did a bit of trapunto by putting double layers of batting behind the strands but not the backgrounds -- it's not really evidence in the photo but adds some slight dimension in person. However (maybe because of the mottled background?) the curls that were only defined by stitching just didn't stand out very well. Out came my trusty Neocolor crayons, and I gave them more definition.
I auditioned lots of quilting lines, and ultimately went for the overall curly look.
I am exercising great restraint, writing this up before looking at the pieces that have already been posted. I can't wait to see what you all have done!
When Diane first picked this color to play with, I groaned a little at the thought as I don't tend to use pink much in my work. I was, however, able to overcome my despair, and turn it into an opportunity to explore something I wouldn't ordinarily have done. I rarely wear pink, I do however sometimes choose pink for my nail polish color. Last time I had a pedicure I started looking at the bottles of polish and saw all the cute names they give these colors. I wanted to use these names as a background to highlight some pink polishes, so I typed them up in the computer using different fonts, and printed it out on white background fabric on my husband's extra wide printer. I had my background, and I knew I wanted to show polish dripping down, but wasn't sure how to go about this. I ended up setting up a little stage with a white sheet background and taking several photos of spilling nail polish.
I do think that using color as our "theme" is going to be interesting and I'm looking forward to the next challange
Big Pink is the nickname given to the second tallest building in downtown Portland seen in this photo. The US Bancorp Tower is the second tallest skyscraper in Portland, Oregon. The windows can absorb or reflect light depending upon how much light is upon them, while the surrounding granite may appear darker or lighter than the window pieces depending upon the time of day. The building can be described as being pink, orange, purple, or even gray all in the same day. Pietro Belushi was a consulting architect and chose the windows and granite surface for their reflective properties.
This was my second attempt at portraying this. My first attempt did not have enough detail of the interesting grid that you see from the eastern side of the building. Because Big Pink is the US Bancorp building, I decided to use the money/credit card business in the details of the building. I created a thermofax screen with dollar signs and a Bancorp stock graph which I screened onto pink fabric that I had painted with metallic paints.
For the windows, I found some free clip art of a fake credit card which I changed to hot pink. I printed different sizes of the card on Lutradur that was treated with Golden's digital ground. After the Lutradur dried, I painted the cards with Golden glossy gel medium, to give them a shine.
As you can see from the photo of Big Pink, it dominates the skyline and I wanted to show that in this piece so the other buildings are done very simply in neutral colors. I also decided to make Big Pink go off the edges of the 12 inch square.
I am not thrilled and ecstatic with this piece. It is somewhat of a departure for me. I must admit that when I hung it on the wall to photograph and stood back, I actually saw Big Pink so on some level, it is successful. Attaching all those credit cards was the most difficult task of this piece. I guess it bothers me that they are not perfectly gridded, but it is what it is. Right?
OK, let me explain.
I was having a hard time with the pink theme. Don't like pink. I started working on a design for a little pink house, but I did not like the design. I went to bed one night feeling anxious about my pink quilt, feeling feverish and sniffly and I didn't sleep well, but when I did sleep I had some pretty strange dreams. In one of my more vivid dreams a face from a quilt I made several years ago appeared. It was a quilt called "Patron Saint" and it was a saintly figure holding a pair of scissors. Since I love scissors, collect old scissors and think they are the best tool ever invented, I have adopted my little saint and she hangs on the wall and watches over me as I sew.
In my dream the scissor saint had come to life. She held up her scissors and said, "you know, I have pinking shears too." And, indeed, the shears in her hand were not regular scissors but pinking shears. PINKing shears—get it?? Doesn't the brain go to interesting places when we are asleep? It was, of course, my devious subconscious attempting to skirt the actual color pink and come up with a tricky device. But, once awake, my rational brain said, "No. This is a color challenge, not a word challenge." Still, having gone to all the trouble of informing my dream, I decided St. Rose (as I was now calling her) and her pinking shears deserved a place on the final piece and she would just have to be dressed in pink to make it all work. So here she is. She does look a bit pained by her pink attire, don't you think?
And just to further explain—I am not Catholic, but I have a small fascination with saints. I think it may have started when I had my tonsils out in a Catholic hospital at age 5. The nun who took care of me told me that my name was the name of her favorite saint, St. Teresa of the Roses, and that was quite a special name to possess. As an avid childhood reader I went through of phase of reading biographies of saints and sobbing through The Song of Bernadette. I love the Byzantine icon images of saints and have emulated that stylized, flat style for a lot of my work. I started calling my piece St. Rose simply because of the pink color connection. Then I Googled to discover the real St. Rose of Lima, the first saint in the new world, and was quite surprised to find that she is a patroness of embroiderers and lacemakers and supported her family as a teenager with her exquisite needlework.
I take a women's kickboxing class twice a week for the fantastic workout if provides. At least half the women in class have pink boxing gloves and wrist wraps. It's not unusual to see pink T-shirts either. These are not prissy woman-girls who glow rather than sweat. They are regular women with regular jobs and they (we) pack a mean punch (and sweat a lot).
So with this piece I celebrate both the inner and outer strength of women. It's made of (pink!) leather like my kickboxing gloves, and black velvet like that other symbol of classic femininity, the little black dress. For a little added oomph, it's embellished with crystal beads, sequins and french knots ('cause I think deep down we all like a little sparkle). Pow!
This quilt wanted to be a diamond, not square, but eventually I coaxed it into shape.
But almost as soon as Diane said "pink", I thought "rose", (pink in French). And an epicurean poem by Pierre de Ronsard kept coming to my mind... "Mignonne, allons voir si la rose...", where he compares the brevity of youth to the fragility of a rose.
In the meantime, I stuck to my idea of simply experimenting with colours and surface design, not willing to embark on philosophical and complicated thoughts about my age, my growing children, my wrinkles, my cute granddaughter, my emptying nest...
I held on and I started to screenprint fabric with pink and turquoise dyes. I experimented and played on the design wall with the resulting fabrics ... One of the pieces I got made me think of fading rose petals...
Then, one day I found a tiny pink rosebud in the garden. I took a few pictures, burned two screens, and decided to incorporate it into my quilt.
But you know, I just made a pink quilt. And I like it.
More detail pictures on my blog.
I found a scrap of the exact same pink fabric to which I had added handwriting and used in my Chair quilt. I loved the sheer piece with the velvet floral motif. My friend Hannah let me glean from her stash on my trip to Maine, including the pink and white floral print I used on each side. The pink pencil seemed a fun embellishment. Plus, it's linear and conveys a message of creativity.Pink is very peppy and fun. Seeing that pile of fuchsia, magenta, blush and rose on the table in my studio, I just couldn't help but get a bright, enthusiastic feeling. Don't you think? I thought I didn't really like pink. Of course, I also thought I didn't like asparagus, until I had a few spears that were grilled to perfection at Jasper's.
It's good to experiment.
Thursday, December 10, 2009
Since a lot of my work is abstract, it may have been easier for me to just yank out a bunch of my pink fabrics and put together a composition. (Ahem. That's exactly what I did.)But, I have a prediction...
I imagine that some of the other twelves will reveal quilts that are inspired by the meanings, implications and symbols associated with the color pink. I know Gerrie was working on a quilt inspired by a building known as "Big Pink." So, is that an embrace of the color or the meaning? Or both? It doesn't really matter since I think she's revised since then.
Will we see quilts about breasts or breast cancer? Will there be quilts commenting on femininity? Is someone getting a pink slip? (I hope not.) Are there some cute baby girl items being sewn on quilts? Does pink still make people ponder homosexuality?
Obviously, these ideas all run together. It's impossible to say exactly where inspiration comes from and what it means. Diane wrote a post asking about our aversions to pink and why it seems many of the Twelves grumbled a bit at the color (including me). After pondering a bit, I concluded that there are not too many colors that carry so much symbolism. (I think black is heavy also -- evil, darkness, grief, etc. And green certainly has gained a lot of symbolism lately.) Considering all the "baggage" that comes up with pink, I am so eager to see how it's represented -- or nor -- in our first reveal of the ColorPlay Series!
See you tomorrow! I'll be the one with the pink quilt.
**That picture above is my very small collection of pink fabrics. It's squeezed in with the oranges and the purples. Luckily it doesn't take much yardage to create a 12x12" art quilt.
Monday, December 7, 2009
Sunday, December 6, 2009
On the 12th day of Christmas, my quilting friend gave to me:
Twelve yards of cotton...
Eleven bags of batting...
Ten Shiva paintstiks...
Nine tins of straight pins...
Eight balls of roving...
Seven pre-wound bobbins...
Six needle threaders...
Five Olfa blades!
Four spools of thread,
Three Ott lights,
Two teflon sheets,
And an idea for Twelve by Twelve!
Sing it loud and sing it proud, sisters!
In the meantime, here are some photos taken in Golden Gate park before the fog rolled in.
Friday, December 4, 2009
Tuesday, December 1, 2009
I've been working on my "Pink" challenge piece, and reading everyone's comments about how you've been working on yours... and I can't help but notice the strong sentiments this color seems to provoke.
I selected "pink" for a couple of reasons. For one thing, I notice that it's a color a lot of people avoid and I'm not sure why. As someone said early on, it's just "light red!" So it makes me wonder -- is it that it's a pastel color, and we're bold women who tend to use bold colors? Is it that it is the stereotypical color of girlie femininity and our feminist tendencies cause us to avoid that association? Maybe it's that "pink" can be associated with cutsie and sweet, and that's not an arena we want to find ourselves in? Maybe as girls (or "women formerly known as girls") we were so over-exposed to pink in our childhoods that we avoid it now? For those of you who dislike the color pink, do you have an understanding about why? I'd be interested to know if you can articulate the reasons for your reactions.
In any event, the main factor in my choosing this was that I knew it would push almost everyone out of their comfort zones. One of the aspects I've loved about our challenges is seeing the directions people choose, and especially being surprised by someone's piece just when I think I'll be able to predict something. So I'm sorry if this challenge topic has been stressful for some -- think of it as a little bit of a tug on your comfort zone boundaries. And I know that I will encounter the same feeling as we move forward!
Speaking of comfort zones, I've decide to try to push mine in this new Colorplay circuit. You've seen how I tend to go straight for a direct and literal interpretation. I've decided to push myself this time around to work more abstractly -- no representational images allowed. (Feel free to call me on that later when I forget my little self-imposed personal challenge!) So I'm headed in a very different direction and I know it will keep me especially challenged as we move forward.
I'm looking forward to December 12!